Mobile Sound

Sound, Mobile Media, Art&Culture

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Photos of Sounds Like Mobility: A Mobile Media, Sound and Music Event

Photos from Sounds Like Mobility: A Mobile Media, Sound and Music Event that took place at The Cultures of the Digital Economy (CoDE) Research Institute, Anglia Ruskin University (Cambridge) on 17th May 2011, organised by Frauke Behrendt, are now online (photos by Ann Evelin Lawford) and some by myself are here and there are more by Julio D’Escrivan. Please let us know if you also have pictures form the event to share!

A big thank you to all speakers, performers and chairs – Georgina Born, Atau Tanaka, John Williamson, Steve Symons, Julio D’Escrivan, Rachel O’ Dwyer, Lalya Gaye, Enrique Tomas, Adam Parkinson, Richard Hoadley, Ashley Elsdon, Nick Bryan-Kinns – for making this a great event!

Sound Pairs, Music adjusting to your jogging pace, Sonified Social Networks and more at Haptic Audio Interaction Design 2010

Last week I attended part of the Haptic Audio Interaction Design 2010 (HAID) workshop

http://media.aau.dk/haid10/ and these are some of the interesting projects and papers I experienced:

A Master’s student project (please send me her name if you know it  – I lost her card!) that impressed me was this set of memory games: ‘tactile pairs’ and ‘sound pairs’ where you play this traditionally visual game with a focus on touch or sound.

D-Jogger: a multimodal music interface for music selection based on user step frequency by Read the rest of this entry »

Design Contest: Call for proposals for future mobile music

This Design contest for mobile music is part of the EU-funded SAME project (Sound And Music Everyday Everywhere Everyway). Deadline is 30th of September. Check out the website:

Design Contest: Call for proposals for future mobile music

Making and enjoying music for the users of tomorrow

PRIZE

The Winners of the contest will be invited for a two-day stay at the 2010 Science Festival in Genova (Italy) www.festivalscienza.it (all expenses covered by the SAME project), will present their work to key players as well as to a general audience, and will be awarded by a representative of the European Commission.

DEALINE FOR PROPOSALS
September 30, 2010

The European ICT project SAME (Sound And Music for Everyone, Everyday, Everywhere, Everyway) promotes Read the rest of this entry »

ZOOZbeat: Mobile Music ReCreation

Gil Weinberg, Mark Godfrey and Andrew Beck won an award at ACM CHI 2010 for ZOOZbeat.

Their website reads:

ZooZBeat is a gesture-based musical studio, simple enough for non-musicians to immediately become musically expressive but rich enough for experienced musicians to push the envelope of mobile music creation. Start playing with just a click or select among background beats in a variety of styles. Use shake and tilt movements, tap the screen, or press the keypads to create and modify rhythmic and melodic lines. Based on years of research, our musical engine will interpret your actions into beautiful music that fits your style.

Download ZOOZbeat for free here

Learn more here

Mobile Music People Atau Tanaka, Jo Kazuhiro and Jamie Allen at RISD and Brown

Atau Tanaka, Jo Kazuhiro and Jamie Allen, all from Culturelab Newcastle (UK), have all worked with mobile sound and music in their practice. Most recently, Jo Kazuhiro and Jamie Allen have started their Chiptune Marching Band. Atau Tanaka’s many mobile music projects are well-documented and he has been co-organising the Mobile Music Workshops with Lalya Gaye and myself for many years. All three are visiting the Rhode Island School of Design and Brown University in Providence, RI this upcoming Monday, April 13th. It’s all organized by Todd Winkler at Brown and Lalya Gaye and Teri Rueb at risd D+M.  The announcement is here.

Jo Kazuhiro and Jamie Allen at the Mobile Technology Workshop, Digital+Media Department:
Monday 13th April 9am
Digital+Media, RISD
CIT Mason/Fletcher building, 3rd floor, room 305
169 Weybosset Street
Open to the public

Culture Lab talk at Brown:
Monday 13th April. Time and location TBC
Open to the public

Culture Lab in Concert at Brown:
Monday 13th April, 8pm
Music Department. Brown University
Orwig Music Building, 1 Young Orchard Avenue
Fee TBC

Artist bios: Read the rest of this entry »

Histories of Mobile Sound Media

Another example for the history of mobile sound media (that needs writing) was featured on Modern Mechanix today and has been reblogged on bongboing as “Paleo-walkman of 1957“:

headwork_garden

The 1957 newspaper clipping from here reads:

Headwork in the Garden

The chic hat Paul Johnson of Jacksonville, Fla., wears while gardening may not keep off the iun, but it will bring in all local radio stations. The one-tube radio headset operates on two dry cells to enable him to keep up with his favorite programs while doing outdoor chores.

Erkki Huhtmao gave a great keynote  “History of Mobile Technology” at ISEA 2004 (the website iis sadly not online anymore), with a general overview of the history of mobile media.  Some of this has been published in in receiver.  I keep collecting examples for a music and sound history of mobile media. Hopefully I’ll have time to put it together in a coherent form one day. If anyone has more examples I’d love to hear about them!

Nick Cook “Classical Music and the Politics of Space”

Music, Sound and the Reconfiguration of Public and Private Space Conference continued:

When I chatted to Nick in the break, he told me that he used to have a “mobile music group” when he was teaching in Hong Kong, a group of musicians and instruments that all fitted into a minibus. His understanding of mobile music is refreshingly broad, and so were the case studies in his talk “Classical Music and the Politics of Space”: Vienna at the fin de siecle, classical music concerts in second life and Barenboim’s orchestra; stressing the continuities rather than the differences.


Cook discussed music’s function of marking space (e.g. in Second Life) and Read the rest of this entry »

Dibben and Haake: “The Experience of Music in Office-Based Workplace Settings”

Music, Sound and the Reconfiguration of Public and Private Space Conference continued:

Nicola Dibben and Anneli Beronius Haake from the University of Sheffield presented their recent qualitative study of ‘The Experience of Music in Office-Based Workplace Settings’, based on the rich interview material they collected, presenting various ways of negotiating the acoustic, social and temporal aspects of the office environment.

Jo Tacchi “Affective Rhythms”

Music, Sound and the Reconfiguration of Public and Private Space Conference continued:

Tacchi’s talk was about the domestic soundscape and the affective; using case studies of radio listeners, showing how relationships and social life are related to listening to music, talking about it and exchanging it. Her focus is on the social and cultural context and the embeddedness of music as creative act in these contexts.
Tacchi suggests to examine “emotion discourses” as social discourses to examine the link between affect and the social in music. The affective dimension is usually studied in connection to the reflexive self, but not in connection to the social.
Rhythm is another focus of her talk: it is always Read the rest of this entry »

Georgina Born “On the privatisation and publicisation of music”

Music, Sound and the Reconfiguration of Public and Private Space Conference continued:

Georgina Born gave a very rich talk  “On the privatisation and publicisation of music” and her focus on the social aspects of listening chimed very much with my own work. These are some of the arguments I remember:

First, she was tracing the historic development of the relationship between public and private for music. The19th century is labelled “individuatisation and privatisation” (Sennett, Sterne), the late 19th century “Times-shifting and death”, the 1910s “Space-shifting and Hybridity”, 1920s “Consumerism and Mobility”, 1945 “Mass Public and Consumption”, the 1970s “Circulation and relay”.
Born suggests four optics to examine the relation of music to private and public: capitalism (e.g. commodification, markets), media&intermedia (e.g. file-sharing, intellectual property rights), subjectivity (e.g. modes of subjective listening, Bull, DeNora), and the social (that is constituted outside of mediated music (I need to clarify this point).
The concern with the social is Read the rest of this entry »

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